{"id":8,"date":"2015-12-23T14:08:13","date_gmt":"2015-12-23T14:08:13","guid":{"rendered":"http:\/\/neu.hanneskerschbaumer.eu\/?page_id=8"},"modified":"2016-01-15T22:02:37","modified_gmt":"2016-01-15T22:02:37","slug":"werke","status":"publish","type":"page","link":"https:\/\/www.hanneskerschbaumer.eu\/en\/werke\/","title":{"rendered":"Works"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Works<\/h1>\n
2026<\/div>
<\/div>

new composition<\/h2>
for percussion and feedback<\/div>

commissioned by \u00d6GZM<\/p>\n

Lorenzo Orsenigo, percussion<\/p>\n

 <\/p>\n<\/div><\/div>

<\/div>

trieb<\/h2>
for singing accordionist<\/div>

commissioned by Margherita Berlanda<\/a><\/p>\n<\/div><\/div>

2025<\/div>
<\/div>

over hollow and ditch<\/h2>
for 3 voices, violoncello & electronics<\/div>

commissioned by OSTERFESTIVAL Tirol<\/p>\n

Vokalensemble The Present
\nMathis Mayr, violoncello<\/p>\n<\/div><\/div>

<\/div>

symbiont<\/h2>
f\u00fcr Ensemble, Elektronik und Visuals<\/div>

supported by:
\nAutonomoe Provinz Bozen
\nBMWKMS \u00d6sterreich<\/p>\n<\/div><\/div>

<\/div>

stratos<\/h2>
for mezzosoprano, contrabassflute and resonating snaredrum<\/div>

commissioned by Cantando Admont
\nsupported by BMWKMS Austria<\/p>\n<\/div><\/div>

<\/div>

stainer studie II<\/h2>
for 2 violins, violoncello and sounding surfaces<\/div>

commissioned by Ensemble Mosaik<\/p>\n<\/div><\/div>

<\/div>

cirrus II<\/h2>
for baritone saxophone, ensemble, electronics and video<\/div>
<\/div><\/div>
<\/div>

cirrus<\/h2>
for baritone saxophone and electronics<\/div>

commissioned by Massimiliano Girardi<\/p>\n<\/div><\/div>

2024<\/div>
<\/div>

synclinal flux<\/h2>
f\u00fcr Kammerorchester<\/div>

commissioned by Tiroler Kammerorchester Innstrumenti<\/p>\n<\/div><\/div>

<\/div>

geofakt<\/h2>
f\u00fcr Fl\u00f6te, Blockfl\u00f6te, Harfe, Cembalo und Zuspielung<\/div>

commissioned by airborne extended
\nsupported by SKE<\/p>\n<\/div><\/div>

<\/div>

kruste<\/h2>
for voice, flute, accordion and percussion<\/div>

commissioned by between feathers
\nsupported by SKE<\/p>\n<\/div><\/div>

<\/div>

svart<\/h2>
for voice, flute, saxophone, accordion, percussion & electronics<\/div>

supported by Provinz Bozen\/Deutsche Kultur<\/p>\n<\/div><\/div>

<\/div>

aero<\/h2>
for bass clarinet<\/div>
<\/div><\/div>
<\/div>

anticlinal flux<\/h2>
f\u00fcr Glissotar und Ensemble<\/div>

commissioned by Ensemble Zeitfluss<\/a>
\nsupported by BMKOES<\/p>\n<\/div><\/div>

<\/div>

tuff<\/h2>
for ensemble and fixed media<\/div>
<\/div><\/div>
<\/div>

sulz<\/h2>
for 8 instruments<\/div>

Windkraft - Kapelle f\u00fcr Neue Musik<\/p>\n<\/div><\/div>

<\/div>

kirous<\/h2>
for actor, flute traversiere, harp, percussion and multichannel-electronic<\/div>

supported by SKE - Soziale und kulturelle Einrichtungen
\n<\/p>\n

Johanna Bartz - historische Traversfl\u00f6ten, Performance
\nVincent Kibildis - historische Harfen, Performance, Gesang
\nAndr\u00e9 Hinderlich - Performance, Gesang
\nPhilipp Lamprecht - Perkussion, Drehleier, Performance, Gesang
\nMatthias Leboucher - Klangregie, KompositionJohanna Bartz - historische Traversfl\u00f6ten, Performance
\nVincent Kibildis - historische Harfen, Performance, Gesang
\nAndr\u00e9 Hinderlich - Performance, Gesang
\nPhilipp Lamprecht - Perkussion, Drehleier, Performance, Gesang
\nMatthias Leboucher - Klangregie, Komposition<\/p>\n<\/div><\/div>

<\/div>

h\u00fclle<\/h2>
for voice and contrabass-clarinet<\/div>

Sorry, this entry is only available in German<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>\n

gef\u00f6rdert durch das BMK\u00d6S<\/p>\n

Stimme: Helena Sorokina
\nKontrabassklarinette: Marco Salagef\u00f6rdert durch das BMK\u00d6S<\/p>\n

 <\/p>\n<\/div><\/div>

2023<\/div>
<\/div>

umfaltet<\/h2>
for zither and ensemble<\/div>

commissioned by Klangspuren Schwaz<\/em><\/p>\n

 commissioned by Klangspuren Schwaz<\/em><\/p>\n

voice: Helena Sorokina
\nSchallfeld Ensemble<\/a>
\nconductor: Pierre-Andr\u00e9 Valade<\/p>\n<\/div><\/div>

<\/div>

umfaltet<\/h2>
for voice and ensemble<\/div>

commissioned by Klangspuren Schwaz<\/em><\/p>\n

voice: Helena Sorokina
\nSchallfeld Ensemble<\/a>
\nconductor: Pierre-Andr\u00e9 Valade<\/p>\n<\/div><\/div>

2022<\/div>
<\/div>

untitled<\/h2>
for ensemble<\/div>

Internationale Paul Hofhaymer Gesellschaft
\n\u00d6GZM
\nEnsemble Meitar<\/p>\n<\/div><\/div>

<\/div>

aurica<\/h2>
for string quartet<\/div>

Festival zeitgen\u00f6ssischer Musik
\nQuartetto Maurice
\nsupported by<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/p>\n<\/div><\/div>

<\/div>

dark voices<\/h2>
for youth choir & electronics<\/div>

Biennale Gherd\u00ebina<\/p>\n

composition commission sponsored by
\n\u00a0\u00a0 <\/p>\n<\/div><\/div>

2021<\/div>
<\/div>

neodym<\/h2>
for percussion & electronics<\/div>

commissioned by open music \"Junge St\u00fccke\"<\/p>\n

accordion, saxophon, viola, double bass<\/p>\n<\/div><\/div>

<\/div>

keil<\/h2>
for 4 instruments<\/div>

commissioned by open music \"Junge St\u00fccke\"<\/p>\n

accordion, saxophon, viola, double bass<\/p>\n<\/div><\/div>

<\/div>

m\u00e4eahelik II<\/h2>
for percussion<\/div>

Sorry, this entry is only available in German<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>\n

KLANG FARBEN ATELIER 2021<\/p>\n

 <\/p>\n

 <\/p>\n<\/div><\/div>

<\/div>

m\u00e4eahelik I<\/h2>
for alto saxophone<\/div>

Sorry, this entry is only available in German<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>\n

KLANG FARBEN ATELIER 2021<\/p>\n

 <\/p>\n

 <\/p>\n<\/div><\/div>

<\/div>

stainer studie I<\/h2>
for viola<\/div>

Paul Beckett - violaPaul Beckett - viola<\/p>\n<\/div><\/div>

2020<\/div>
<\/div>

petrichor<\/h2>
for 12 voices<\/div>

commissioned by trigonale<\/p>\n<\/div><\/div>

<\/div>

karant\u00e6n 1<\/h2>
for alto saxophon solo<\/div>

Sorry, this entry is only available in German<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n<\/div><\/div>

<\/div>

hyperdermic drift<\/h2>
for 4 voices, violin, accordion & contrabassclarinet<\/div>

commissioned by S\u00fcdtiroler K\u00fcnstlerbund<\/p>\n<\/div><\/div>

<\/div>

black smoker<\/h2>
for percussion solo and electronics<\/div>

commissioned by Hannes Brugger<\/p>\n

kindly supported by<\/p>\n

\"KulturBZ-logo-trans\"<\/p>\n<\/div><\/div>

<\/div>

stainer studie II. nucleo<\/h2>
for violoncello<\/div>

Michele Marco Rossi - cello<\/p>\n<\/div><\/div>

2019<\/div>
<\/div>

archon<\/h2>
for ensemble & video<\/div>

commissioned by NAMES<\/a>
\nvideo: Conny Zenk<\/a><\/p>\n

supported by:
\n\"p_bundeskanzleramt_oesterreich\"\u00a0 \u00a0 \u00a0\u00a0\"KulturBZ-logo-trans\"<\/p>\n<\/div><\/div>

<\/div>

tektono<\/h2>
for ensemble and electronics<\/div>

Composition commission by Wien Modern supported by the Ernst von Siemens Music Foundation<\/em><\/p>\n

Wien Modern<\/a><\/p>\n

Ernst von Siemens Musikstiftung<\/a><\/p>\n

\"WienModernLogo-750\"\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0 \"evs-logo\"<\/p>\n

 <\/p>\n<\/div><\/div>

<\/div>

schutt<\/h2>
for 4 percussionists and resonating surfaces<\/div>

commissioned by SKB - S\u00fcdtiroler K\u00fcnstlerbund
\nconTakt Percussion Group<\/a><\/p>\n<\/div><\/div>

<\/div>

firn<\/h2>
for string trio<\/div>

commissioned by STYRIARTE<\/a>
\nKreisler Trio Wien<\/a>
\n<\/em><\/p>\n<\/div><\/div>

2018<\/div>
<\/div>

grey gardens<\/h2>
for prepared string instruments, string soundscape & light<\/div>

\"KulturBZ-logo-trans\"<\/p>\n<\/div><\/div>

<\/div>

kar<\/h2>
for prepared violin solo & 12 prepared string instruments<\/div>

commissioned by Ensemble konStellation
\nconductor & soloist: Ivana Pristasova<\/p>\n

\"p_bundeskanzleramt_oesterreich\"<\/p>\n

 <\/p>\n<\/div><\/div>

<\/div>

hypodermic drift<\/h2>
for voice, recorder and percussion<\/div>

commissioned by Duo Enssle-Lamprecht<\/p>\n<\/div><\/div>

<\/div>

llif<\/h2>
for 5 instruments & live electronics<\/div>

commissioned SKB - S\u00fcdtiroler K\u00fcnstlerbund<\/p>\n

Gustav Mahler Wochen Toblach
\nensemble chromoson<\/p>\n<\/div><\/div>

<\/div>

scure<\/h2>
for flute, clarinet and doublebass<\/div>

study for three instruments<\/p>\n

Festival Mixtur
\nEnsemble 2e2m<\/a><\/p>\n<\/div><\/div>

<\/div>

kritzung II<\/h2>
for prepared violin, 3 musicians and electronics<\/div>

Ensemble Schallfeld<\/a><\/p>\n<\/div><\/div>

<\/div>

GAIA – a dystopian vision<\/h2>
music theater<\/div>

for female voice, dancer, ensemble, orchestra, resonating surfaces and video
\nlibretto: Gina Mattiello
\nstage: Natascha Maraval
\nsculptures: Aron Demetz
\nvideo: Federico Campana
\nchoreography, dance: Hygin Delimat<\/p>\n

a winner project of \"OPER.A 20.21 FRINGE\" by Stiftung Haydn von Bozen und Trient<\/p>\n

\"16-09-17-620-Italien-Hadyn-Oper-Losek-OPERA_2021\"<\/p>\n<\/div><\/div>

<\/div>

sog<\/h2>
for chamber orchestra<\/div>

commissioned by Tyrolean Chamber Orchestra Innstrumenti<\/a><\/p>\n<\/div><\/div>

2017<\/div>
<\/div>

GAIA – a dystopian vision<\/h2>
music theater<\/div>

for female voice, dancer, ensemble, orchestra, resonating surfaces and video
\nlibretto: Gina Mattiello
\nstage: Natascha Maraval
\nsculptures: Aron Demetz
\nelectronics, video: Federico Campana
\nchoreography, dance: Hygin Delimat<\/p>\n

a project at \"OPER.A 20.21 FRINGE\" by Stiftung Haydn von Bozen und Trient<\/p>\n

\"16-09-17-620-Italien-Hadyn-Oper-Losek-OPERA_2021\"<\/p>\n<\/div><\/div>

<\/div>

hauch.asche<\/h2>
for voice, bassflute and resonating surfaces<\/div>

commissioned by b\u00fcro lunaire<\/a><\/p>\n

supported by
\n<\/small><\/p>\n

\"p_bundeskanzleramt_oesterreich\"<\/p>\n<\/div><\/div>

<\/div>

not.to<\/h2>
for piccolo, Paetzold-recorder and resonating surfaces<\/div>

commissioned by airborne extended
\nsupported by
\n\"SKE_logo_weiss_auf_sw\"<\/small><\/p>\n<\/div><\/div>

<\/div>

schurf I<\/h2>
violin solo<\/div>

for Sophie Schafleitner<\/p>\n

supported by
\n<\/small><\/p>\n

\"p_bundeskanzleramt_oesterreich\"<\/p>\n<\/div><\/div>

<\/div>

schraffur<\/h2>
for quartertone-accordion & ensemble<\/div>

Krassimir Sterev - quartertone-accordion
\nKlangforum Wien<\/a><\/p>\n

commissioned by Erste Bank<\/em><\/p>\n<\/div><\/div>

<\/div>

schub<\/h2>
for 2 percussionists and electronics<\/div>

commissioned by Ensemble NAMES<\/a><\/p>\n<\/div><\/div>

<\/div>

skr\u00e4p<\/h2>
for alto-saxophon and prepared piano<\/div>
<\/div><\/div>
<\/div>

pedra.debris (expanded vocal version)<\/h2>
soprano & 6 musicians<\/div>
<\/div><\/div>
2016<\/div>
<\/div>

geschiebe<\/h2>
for violin and Paetzold-recorder<\/div>

commissioned by two whiskas<\/a><\/p>\n<\/div><\/div>

<\/div>

minu<\/h2>
for orchestra<\/div>

commissioned by Teatro La Fenice di Venezia<\/p>\n<\/div><\/div>

<\/div>

patina<\/h2>
for ensemble<\/div>

commissioned by Ensemble PHACE<\/a><\/p>\n<\/div><\/div>

<\/div>

schurf II<\/h2>
violoncello solo<\/div>

commissioned by SKB - S\u00fcdtiroler K\u00fcnstlerbund<\/a><\/p>\n<\/div><\/div>

<\/div>

lahar II<\/h2>
for molecular organ<\/div>

a project by die andere saite<\/a> Graz<\/p>\n<\/div><\/div>

<\/div>

schlieren<\/h2>
for ensemble and fixed media<\/div>
<\/div><\/div>
<\/div>

\u00c5ans<\/h2>
for for soprano solo and 2 mixed choirs<\/div>

commissioned by Vokalensemble STIMMEN<\/a><\/p>\n<\/div><\/div>

<\/div>

lahar<\/h2>
for wind-ensemble<\/div>

commissioned by windkraft - kapelle f\u00fcr neue musik<\/a><\/p>\n<\/div><\/div>

<\/div>

buchstabierend<\/h2>
for 6 voices<\/div>

commissioned by musikprotokoll<\/a><\/p>\n<\/div><\/div>

2015<\/div>
<\/div>

verwerfung<\/h2>
for accordion and ensemble<\/div>

commissioned by IZZM<\/a> | Ensemble MusikfabrikS\u00fcd<\/p>\n<\/div><\/div>

<\/div>

suru<\/h2>
for voice, Paetzold-recorder and percussion (2015)<\/div>

commissioned by Duo Enssle-Lamprecht<\/a><\/em><\/p>\n<\/div><\/div>

<\/div>

lein<\/h2>
for soprano, bassflute and percussion (2015) | 8'30''<\/div>

commissioned by Festival f\u00fcr zeitgen\u00f6ssische Musik Bozen<\/a>
\n<\/em>supported by SKB - S\u00fcdtiroler K\u00fcnstlerbund<\/a><\/p>\n<\/div><\/div>

<\/div>

splinter<\/h2>
for zither-trio and orchestra (2015) | 13'<\/div>

commissioned by Haydn Orchester Bozen\/Trient<\/a>
\n<\/a><\/em>supported by SKB - S\u00fcdtiroler K\u00fcnstlerbund<\/a><\/p>\n<\/div><\/div>

<\/div>

stele.blut<\/h2>
for arabian speaker and orchestra (2015) | 25'40''<\/div>

commissioned by Akademie St.Blasius<\/a>
\ntext: Nouri al-Jarrah, Rami al-Jarrah
\nsupported by \"p_bundeskanzleramt_oesterreich\"<\/p>\n<\/div><\/div>

<\/div>

steme<\/h2>
for sax (soprano, alto, tenor) and organ (2015) | ~ 9'<\/div>

commissioned by Sargas Duo<\/a>
\n<\/strong><\/p>\n

supported by \"KulturBZ-logo-trans\"<\/p>\n


\n<\/strong><\/p>\n<\/div><\/div>

<\/div>

quarz<\/h2>
prepared harp | ~ 2'<\/div>

commissioned by Katja Lechner<\/p>\n<\/div><\/div>

<\/div>

kritzung<\/h2>
for prepared viola and 3 musicians with wooden objects (2015) | 8'30''<\/div>
<\/div><\/div>
<\/div>

pedra.debris (expanded version)<\/h2>
(expanded version) for violin, cello, bassflute, bassclarinet, barytonsax, double bass and piano (2013\/15) | 9'30''<\/div>

commissioned by Ensemble Schallfeld<\/a><\/p>\n

supported by \"KulturBZ-logo-trans\"<\/p>\n